![]() ![]() The framework of the Decameron serves to show the drastic cultural shifts occurring, in part due to the pestilence, that further spur forward the acceptance of this rising merchant class in society. ![]() The Decameron, through its one-hundred tales told over the course of a ten-day adventure, taken by seven young ladies and three young men, presents the reader with examples of pre, during, and post plague societal perceptions and norms. But overall, critics do little to link the plague to the positive change in society’s acceptance of these merchants and tradesmen. While some critics interpret depictions of the plague within The Decameron, others argue that Boccaccio’s merchant portrayals are more favorable than in previous literature. He also goes on to portray the devastating effects of death on, not only the physical bodies of people and animals, but also on their mental, emotional, and spiritual states, and how this accelerated their acceptance of the rising merchant mentality of more utilitarian values. In The Decameron, Boccaccio depicts the outbreak’s high-mortality rates and how that was a catalyst for many social and cultural changes within fourteenth-century Europe. It is probable that the structures of many of the tales date from earlier in his career, but the choice of a hundred tales and the frame-story lieta brigata of three men and seven women dates from this time. Giovanni Boccaccio was a contemporary witness to the effects of the Black Death pandemic, the Yersinia pestis bacterial pandemic in Europe between the years 1346-53, causing 75 million to 200 million deaths across the continent alone. Boccaccio began work on The Decameron around 1349. ![]()
0 Comments
Leave a Reply. |